Laika - Sounds Of The Satellites

This is an album by one of those bands which people have only ever heard of, not actually heard. However, I think this is a bad thing. They quite succesfully mix the jazzy sound of Portishead with the beat intensive mood of Massive Attack, occasionally throwing in a bit of trance or techno beat for good measure. The album is a 77 minute monster of changing style, which always tries to return to the quality of the first track, but never quite making it, which causes me no trouble, as the first track is quite superb, the others just very good.

The album starts with ‘Prairie Dog’, a heavy beat track, similar to ‘Karmacoma’ by Massive Attack, another hand off to the band that influence them heavily, moving swiftlly on through trancey almost-instrumentals and beat heavy pieces onto ‘Poor Gal’, which I’m sure is a Portishead track. The album ends on the trance teaser, ending with the obligatory secret track, a description of the real Laika’s experiences in space, including the reception of morse coded BOW BOW messages......

Bill

From Issue 1081

28th Feb 1997

Discover stories from this section and more in the list of contents

Explore the edition

Read more

Campus’N’Culture Podcast

Societies

Campus’N’Culture Podcast

This debut episode of the Campus N Culture Podcast features a generation of ACS Presidents – Tani Akinmoladun, Blessings Mwanza, and Victor Ofodile, who led Imperial’s African Caribbean Society in 2023/24, 2024/25, and 2025/26, respectively. Baba Odumeru, the current Vice President of Events,  explores their journeys through

By Baba Odumeru
International fees: short-term manna, long-term trap.

Editorial

International fees: short-term manna, long-term trap.

The UK government seems determined to enact a 6% “levy” (more polispeak to avoid the electorate-angering “tax”) on international fees, which would, according to the Imperial President Hugh Brady, cost Imperial an estimated £26 million to the College. “We have lobbied hard against this and will continue to do so,

By Guillaume Felix