Music

Chameleon Queen out in the open

St. Vincent's latest album gives her signature sound a pop glaze

Chameleon Queen out in the open

Writing a follow up to 2014’s gargantuan, Grammy-winning, self-titled album was never going to be an easy task for Annie Clark, so perhaps that’s why it took so long to do. Mind you, when you’re being hailed as the modern day Ziggy Stardust, you want to make sure you get things right. St. Vincent’s first major release in 3 years is an infallibly solid, instantly catchy, art-pop classic – but it feels maybe a bit too familiar.

There’s a distinctly poppy glaze on the first side, Clark’s much loved screeching guitars swapped ever increasingly often in favour of crisp synths and punchy drum machines. It’s fun and feel-good. Or at least at first glance. Lyrically, themes are dark and desolate; addiction, depression, and loss. Second track and pre-album single ‘Pills’, for example, is a satanic advertising jingle for a drug-dependent lifestyle, yet could be mistaken for an electrified nursery rhyme.

Five tracks in, however, things take a turn and emotions are laid bare. A brooding, sinister sound introduces ‘Los Ageless’, before breaking down into anguished cries of “How could anybody have you and lose you / and not lose their minds too?”, and then, after a spiralling instrumental, a chilling spoken word outro (“I try to write you a love song, but it comes out a lament”) repeated over and over as a desperate mantra.

Standout track ‘Happy Birthday, Johnny’ comes in the form of a letter to an estranged friend or lover, who we can only assume to be the same as the previous album’s ‘Prince Johnny’. With sparse backing, Clark unsuccessfully tries to reminisce, instead lingering over his battles with substances, homelessness, and crime. And though she blames herself, she feels no longer able to help him.

The LP covers all bases, with no easily identifiable low points. It’s rough and gnarly, it’s sexy and assertive, it’s coy and tender, it’s… exactly what we’d expect from St. Vincent, but it’s nothing especially new. She’s certainly found her groove, but perhaps she’s a bit too comfortable in it.

Artist: St. Vincent. Label: Loma Vista. Top Tracks: Masseduction; Los Ageless; Happy Birthday, Johnny. For Fans Of: David Byrne; Kate Bush; Bon Iver. 41 minutes

4 Stars

From Issue 1672

20th Oct 2017

Discover stories from this section and more in the list of contents

Explore the edition

Read more

Students stage solidarity walkout with Minneapolis protestors

News

Students stage solidarity walkout with Minneapolis protestors

Six students gathered on Queen’s Lawn on Friday 30th January, as part of a walkout in solidarity with protesters in Minneapolis, in the aftermath of recent fatal shootings involving United States immigration enforcement. The event was organised by the Imperial Social Worker Student Society (SWSS) in collaboration with Stand

By Nadeen Daka

News

New trade union strike dates announced for February

The Joint Trade Unions (JTU), comprising Imperial’s three recognised trade unions, have been on strike since early October. The most recent round of strikes took place in the first two weeks of term, ending on Friday 16th January.  Staff from all three JTU unions – Unite, Unison and the  University

By Isabella Duchovny
Imperial spinout materials startup raises $8 million

News

Imperial spinout materials startup raises $8 million

Imperial spin-out company Polaron raised $8 million in seed funding, the earliest stage of startup financing.  Polaron builds proprietary algorithms that convert microscopic images of materials into three-dimensional reconstructions, revealing characteristics such as pores or cracks. This microstructural insight is valuable to industrial manufacturers, as it informs a material’s

By Guillaume Felix