Culture

Caroline or Change Review

Change is in the air: Vibrant musical captures the spirit of 1960s America

Caroline or Change Review

Caroline Thibodeaux is only 39, but her life is already reduced to the basement of the Gellman household in which she is a maid, where the washing machine, dryer and old radio are her only companions. Well, apart from eight-year-old Noah Gellman that is. Noah idolises Caroline, taking every opportunity to spend time with her, even when she treats him with cool indifference or chastises him for leaving his pocket money in his dirty laundry. When Noah’s stepmother Rose insists Caroline start keeping any change she finds, to teach Noah a lesson about money, it brings into sharp focus Caroline’s situation and highlights her moral dilemma: forced to start considering keeping a child’s lost pocket money to help make ends meet for herself and her four children.

Playwright Tony Kushner is best known for his widely acclaimed Angels in America , notable for its highly intimate personal stories set against the backdrop of world changing events. Caroline or Change also carries this particular Kushner trademark: its 1963 and John F Kennedy has just been assassinated, the American Civil Rights movement is growing: it’s clearly a period of great change for America as a whole. And so it is for Caroline: she’s come to this point, 39 and with life looking bleak, when change is in order. The combination of small intimate individual stories and world changing political events just draws each into sharper focus, Caroline’s personal dilemmas reflect the frustration and thirst for change of a nation, whilst the sweeping changes across the country are juxtaposed with how slow progress can be for people on the ground like Caroline, whilst keeping up the hope that change is very much in the air.

Jeanine Tesori’s music is the perfect partner to Kushner’s words, transforming what might seem like bleak subject matter into something fun and heart-warming. It pairs particularly well with one of the most original and fun aspects of the show: the personification of choice inanimate objects, such as the washing machine and dryer that are Caroline’s constant companions as in the basement. Fly Davis’s fantastic costumes help bring them to life, especially the 60s- inspired washing machine (Mesha Bryon) in her extravagant costume of plastic bubbles.

Sharon D Clarke, our titular Caroline, is undoubtedly the star of the show. Her commanding stage presence makes it difficult to look away. And indeed its difficult to want to; she’s amazing as Caroline, effortlessly capturing her despair, but also her quiet dignity. This isn’t to say that the rest of the cast are weak. Quite the opposite: there isn’t a single weak link in this production, with the entire ensemble cast delivering excellent performances.

So many things come together to make Caroline or Change the visual treat that it is. A fantastic musical brought to life by a near perfect production, this is one of the definite ‘must see’ shows of this winter.

-5 stars

From Issue 1709

11th Jan 2019

Discover stories from this section and more in the list of contents

Explore the edition

Read more

How the Supreme Court ruling on gender is impacting queer people at Imperial

News

How the Supreme Court ruling on gender is impacting queer people at Imperial

Last month, the UK Supreme Court (UKSC) ruled that for the purposes of the Equality Act 2010 (EA 2010), the definition of a woman is based on biological sex.  The case brought before the court, For Women Scotland Ltd v The Scottish Ministers, asked if transgender women should be included

By Oscar Mitcham and Isabella Duchovny
College opens Imperial Global India in Bengaluru

News

College opens Imperial Global India in Bengaluru

Imperial College London has launched its fourth global hub in Bengaluru. The hub will host research programmes with Indian partners, focusing on some of “the world’s most pressing challenges in areas such as climate change and sustainability, food and water security, and antimicrobial resistance (AMR).” Launched at the Science

By Mohammad Majlisi