Music

A sonic odyssey that mystifies as much as it inspires

A sonic odyssey that mystifies as much as it inspires

Adorned with a cowboy hat and staring longingly into the camera during the promo video, the elder Knowles sister knows how to build hype for an album, following it up by providing us with another experimental and soulful LP. Its demo-like quality and cryptic lyrics may discourage new listeners, but for fans of her previous work this serves as a fitting continuation of her mid-career reinvention.

The memory of listening to A Seat At The Table for the first time is still vivid. Its cinematic quality and curated interludes provided a listening experience like no other as we drove through the boredom of the swiss underpass. Its cultural significance to the #BlackLivesMatter movement cannot be understated, with tracks like ‘Don’t Touch My Hair’ and ‘Mad’ piercing through the media noise like a beacon in fog.

Compared to her last LP, When I Get Home takes a more languid and indirect manner to expressing the inner workings of her mind. If ASATT ’s approach resembles the fast train at rush hour, this record is instead more similar to a spacious, nocturnal journey on the Overground; from the opening track, the soul maestro launches into a melodic and beautifully arranged cut, hypnotising the listener with the lullaby-esque ‘Things I Imagined’. Moving forward, the album materialises into a dreamy soundscape, sprinkled with puzzling samples and some very icy synths.

Staying true to her roots is a key theme in this album, demonstrating Solange’s insistence on not letting mainstream attention hinder her art. ‘Down With The Clique’ serves as a PSA for not forgetting your origins, with ‘Stay Flo’ commenting on the fickle characters present in the industry. Following up, she launches into ‘Dreams’, a standout track whose soothing piano melody overlays a stunning vocal performance. This record’s attention to composition creates a wistful and transporting environment that is only heightened with ‘Almeda’. A more rap-influenced track thanks to the work of Pharrell on the boards, Solange’s call to arms of the black community combines a hazy instrumental feel with a more upbeat hook, although this message is somewhat diminished with one of Playboi Carti’s most uninspiring verses to date. Another powerful track on this album is ‘Jerrod’; The lyrics are delivered mostly in disyllabic bursts, cutting through the stunning piano progression in the background.

A lot of parallels can be drawn between this release and Earl Sweatshirt’s latest Some Rap Songs in terms of the use of samples. In both cases, the vocal samples give a stream of consciousness feel to the progression of the record, giving the semblance of being one long track. Moreover, the lyrics leave a lot to the imagination, but one can’t help but feel that each word is carefully placed, which she alludes to with the ‘Nothing Without Intention (Interlude)’.

However, the repetitive nature of the album can sometimes take away from the listener’s enjoyment, and the features aren’t capitalised on enough; Tyler the Creator and Sampha are only used briefly and intermittently, preventing them from making a real impact on the tracks they appear on. The Gucci Mane feature on ‘My Skin My Logo’ comes straight out of left field and gives the song an oddly duet-like feel.

The unpredictability of this album really reflects the soul singer’s current career path, keeping the listener guessing with every move she makes. The experimental period of her career is continuing to produce sonic gems and we can only hope for the same with her next release.

-4 stars

From Issue 1718

15th Mar 2019

Discover stories from this section and more in the list of contents

Explore the edition

Read more

Peter Haynes to take over Provost role in October

News

Peter Haynes to take over Provost role in October

Professor Peter Haynes has been appointed as the new Provost and Deputy President of Imperial College. The current  Vice-Provost for Education and Student Experience, Haynes will succeed the outgoing Provost, Professor Ian Walmsley, who has served in the role since 2018. Imperial President Hugh Brady said Professors Haynes and Walmsley

By Guillaume Felix
Why RAG’s bungee jump event never took place

News

Why RAG’s bungee jump event never took place

Earlier this academic year, Imperial Raising and Giving (RAG), had announced the return of their charity bungee jump after a hiatus of 10 years. The event, however, was postponed several times, and Felix can now reveal why it was cancelled. The event, initially scheduled for November 13th, was postponed several

By Mohammad Majlisi and Nadeen Daka
Palestine protests ramp up as year ends and tensions rise

News

Palestine protests ramp up as year ends and tensions rise

Saturday 7th June: Pro-Palestinian protestors hold banners as they stand on ALERT at the Great Exhibition Road Festival. Tuesday 10th June: A student announces a hunger strike asking for Imperial to investigate Islamophobia and anti-Arab racism, form a student-staff working group on ethical investment, and divest from arms companies accused

By Mohammad Majlisi