Public Relations
Welcome back to probably the most stressful term at Imperial College, as exams and deadlines mount and the pressure of having good credentials in a terrible job economy.
Welcome back to probably the most stressful term at Imperial College, as exams and deadlines mount and the pressure of having good credentials in a terrible job economy.
Discover stories from this section and more in the list of contents
Explore the editionLast term, a Catnip article was published that led to hurt and offence from several members of the Imperial community. Whilst we would typically name the offending issue and article, I have elected not to, to prevent the article from gaining notoriety, as well as fanning the flames of "
Another term is over for Felix. I’m 20 issues deep. There’s only four left. What a year. This term has seen some amazing issues and stories being covered by this paper, not least the Sex Survey, our magnum opus, which we hope entertained you.
In Felix #1869 (“Meet the candidates running for IC President”), a statement was made regarding Mr Maazu Bayuoni’s manifesto promises. Whilst Felix aims for neutrality and fair coverage of all candidates, including critique, this statement was deemed too direct a statement of criticism, relative to our assessment of other
Dear Editor, Last week, I was reminded that deadlines are not suggestions. Imperial College London is a place of purpose. Underneath us all hums the constant note of motion and progress. The students here are not simply studying; they are solving, building, innovating. And God they must. Walk through the
Opinion
Comment writer Farid Kaveh argues about how we must engage with the alt-right and deal with the flaws of liberal thinking.
News
The now-deleted but once widely-followed meme account, one of dozens that appeared across universities in recent months, was sharing seemingly neo-Nazi content.
Film & TV
Following the life of the French working-class troubled youth: a 90s movie on resistance, friendship and repressive society
Film & TV
Grief in the absence: capturing Nigeria’s forgotten promises and the painful scars of the 1993 coup d’état.