How to be PRETTY4U
What does it mean to be pretty, or even hyperpop pretty, in the hyperindividualist 2020s?
Othello: a polished take on Shakespeare’s tragedy
This week marked the end of the run for Tom Morris’ Othello, a star-studded production that takes a conservative approach to the Shakespearean tragedy. Even so, it frequently draws laughter from the audience. David Harewood returns to the part 28 years after becoming the first Black actor to play the
Hamlet at the National Theatre
Modernising adaptation is shaky on emotion but rich in tone.
Does free entry truly democratise art?
This winter break was my first spent staying in London. A friend from abroad came to visit – an avid lover of art, happily unaffiliated with expertise – and I found myself playing the role of guide, leading him through the city’s museums and galleries. At each entrance, he paused, slightly
Everybody Scream: a review
A look at Florence and the Machine’s extraordinary new album.
The story of Cook Serve Forever's launch
Steam reviews don't always tell the full story, especially when a game goes through a tough early access. In this exclusive interview, CSF's developers talk about their experience.
Romp at Ranga Records
A committee member from Alternative Music Society reviews Ranga Records’ latest live event
October Show
The double bill by DramSoc and MTSoc stunned all viewers.
The Life of a Showgirl...
...And the death of the muse
Fear and loathing at the performative male competition
Or, how I spent another Saturday hanging out with my friends.
Why brutalism makes people nicer
And why people who hate it suck.
The funny and facetious Felix
The immortally radical South Kensington resident sits down for an interview on Gloucester Road for the first time in 75 years to talk COFFEE, CROSSWORDS, and CATNIP.