Oklahoma! Review
An astounding crafted deconstruction of the golden age musical
My blue shirt left in an arid sun
I like to forget that you exist, but I only know this joy when you are remembered and the joy no longer lasts. A pleasure known with hindsight, a pleasure that will always last the memory of touch and skin and the kiss of corduroy linger. But memory fades like
The Handmaid's Tale Review
As the audience enter the London Coliseum, the handmaids’ red jackets, symbols of their oppression, dangle on stage inhabited as if being worn by invisible figures.
A drawn-out American get together
Explore the familial dysfunction in a 'scientific' American family for a change.
The 47th Review
This is a play about politics, not a political play.
The Procession: A Celebration of Narrative in Form
The Procession, envisaged for the Tate Britain by Hew Locke, the famed British Sculptor and Visual Artist as part of the Tate Commission 2022, is a parade of elements
A Jittery drama that is often too close for comfort!
Life and death are complicated experiences. They both release a detritus of emotions that affect and shape not just the individual but everything around them.
Straight Line Crazy Review
Robert Moses supposes he proposes the best urban planning, but Robert Moses supposes erroneously.
The Hothouse: DramSoc’s Latest Cerebral Play
Perhaps more accurately titled the slaughterhouse, DramSoc’s The Hothouse is a bold and hysterical take on Harold Pinter’s provocative play.
Rigoletto Review
Power, corruption, and lies take centre stage in Oliver Mears’s production of Rigoletto which returns to the Royal Opera House after its premiere in September
‘Major event’ by SingSoc
Cleverly constructed by Imperial’s own Singapore Society members, ‘Supernormal: The Musical’ was a delight to witness.
The Collaboration Review
Anthony McCarten’s new play about Andy Warhol and Jean Michel Basquiat wants to poke fun at the economics of market, how feeble it is, how fickle it is.