The Tragedy of King Richard the Second
A brief, professional performance that plays it safe.
Pinter Six: Money can’t buy you love
The empty lives of the ultra-privileged
Matthew Bourne’s Swan Lake retains its wild heart
From the superstars of the Bolshoi to Billy Elliot raising money for a bus ticket to London, the history of the male ballet dancer is a checkered one- as filled with triumph and acclaim as derision and neglect. Few modern stagings have carved their place in the history of the
True West: Engaging, absurd
The West End debut of the 1980 play is the first major revival of Sam Shepherd’s work since his death last year. The two main leads provide a meaty role for any actor, with talents such as John Malkovich and Gary Sinise, Philip Seymour Hoffman and John C Reilly,
Politically charged art or abandoned bath house?
Spend an afternoon literally diving into the gentrification of East London.
Caroline or Change Review
Change is in the air: Vibrant musical captures the spirit of 1960s America
Carmen
Thoughts of an opera novice on the Royal Opera House’s version of a classic
Courtauld Impressionists: From Manet to Cézanne
A true celebration of art, with over forty veritable masterpieces showcasing the cream of Impressionism. But is it value for money?
ORPHEUS - A silent musical extravaganza
How can the classic Greek tale of Orpheus be told with almost no dialogue? A throwback to 1930s Jazz age Paris is the answer!
DramaSoc presents: And Then There Were None
An unsettling, psychological murder mystery like no other, was brought to life by Imperial students last week
NYT Rep’s Macbeth
Macbeth is female – but more than that, she’s human.
The Cat in the Hat Strikes Back!
When books are made into movies, fans and critics flock like vultures to tease apart the catastrophe to come. When the holy works of Dr Seuss were converted into a musical by Monty Python’s Eric Idle, similar scenes could be predicted. The story tries to integrate characters from across