The 47th Review
This is a play about politics, not a political play.
The Procession: A Celebration of Narrative in Form
The Procession, envisaged for the Tate Britain by Hew Locke, the famed British Sculptor and Visual Artist as part of the Tate Commission 2022, is a parade of elements
A Jittery drama that is often too close for comfort!
Life and death are complicated experiences. They both release a detritus of emotions that affect and shape not just the individual but everything around them.
Straight Line Crazy Review
Robert Moses supposes he proposes the best urban planning, but Robert Moses supposes erroneously.
The Hothouse: DramSoc’s Latest Cerebral Play
Perhaps more accurately titled the slaughterhouse, DramSoc’s The Hothouse is a bold and hysterical take on Harold Pinter’s provocative play.
Rigoletto Review
Power, corruption, and lies take centre stage in Oliver Mears’s production of Rigoletto which returns to the Royal Opera House after its premiere in September
‘Major event’ by SingSoc
Cleverly constructed by Imperial’s own Singapore Society members, ‘Supernormal: The Musical’ was a delight to witness.
The Collaboration Review
Anthony McCarten’s new play about Andy Warhol and Jean Michel Basquiat wants to poke fun at the economics of market, how feeble it is, how fickle it is.
Two Billion Beats: The personal is political
Political entities are deeply connected with the personal experience of individuals, this is a crucial point of Hanisch’s 1970 essay The Personal is Political.
The Forest Review
After writing and directing an Oscar winning adaption of his play The Father, Florian Zeller returns to his theatrical roots with a new play premiering at the Hampstead Theatre.
Dada on stage
“The problem with doing nothing is that you don’t know when you have finished”
Blue is the season’s colour
Tis the season of portraits at the National Gallery!