Summer and Smoke sizzles with spectacular sentiment in stunning revival
Rebecca Frecknall directs a winning revival of one of Tennessee WIlliams’ lesser-known plays
Rebecca Frecknall directs a winning revival of one of Tennessee WIlliams’ lesser-known plays
The stage adaptation of Ingmar Bergman’s semi-autobiographical work “weaves new patterns”.
An exploration of contemporary women artists resisting and subverting the status quo
London’s answer to the Edinburgh Fringe Festival takes place in the vaults below Waterloo station. Packed with independent theatre and music, the festival, on until March 18th, is an opportunity to see reasonably priced innovative productions you wouldn’t find anywhere else. Arts editor Jingie Cheng reports on the
Tourettes hero Jess Thom gives Beckett’s notoriously difficult motormouth in Not I a personal and political spin.
Innovative staging, classic rock and modern costuming, makes The Bridge’s adaptation an unique experience.
Something of a hit and miss, a retrospective of Mark Dion’s work is most successful when it embraces the realities of nature.
The cult horror tale of missing schoolgirls in Australia gets an inventive twist in Tom Wright’s adaptation for the stage at the Barbican Centre.
Carey Mulligan astonishes in this personal journey.
John O'Donovan’s debut play about identity is a triumph.
ENO’s restaging of the 19th century comic opera fails to amuse.
A modern take on 'flamenco' fails to ignite.