Ben Whishaw delivers layered performance as Brutus
Innovative staging, classic rock and modern costuming, makes The Bridge’s adaptation an unique experience.
Innovative staging, classic rock and modern costuming, makes The Bridge’s adaptation an unique experience.
Something of a hit and miss, a retrospective of Mark Dion’s work is most successful when it embraces the realities of nature.
The cult horror tale of missing schoolgirls in Australia gets an inventive twist in Tom Wright’s adaptation for the stage at the Barbican Centre.
A modern take on 'flamenco' fails to ignite.
Carey Mulligan astonishes in this personal journey.
John O'Donovan’s debut play about identity is a triumph.
ENO’s restaging of the 19th century comic opera fails to amuse.
Kehinde Wiley and Amy Sherald are the first African-American artists selected to paint the presidential portraits
Our writer is blown away by the power of the vast riches once owned by the 17th century monarch
A production that is a feast for the eyes explores artificial intelligence and what it means to be human
Despite strong singing, this version of Carmen doesn't reach the dizzy heights needed.
Philip Glass’ iconic work offers a unique opportunity to experience contemporary opera at its finest.