Rita, Sue and Bob Too – an exploration of power, class, and women’s voices
Andrea Dunbar’s masterpiece has come to the Royal Court at the right time. Despite being written in the 1980s, it has a worrying number of echoes in the #MeToo era.
Andrea Dunbar’s masterpiece has come to the Royal Court at the right time. Despite being written in the 1980s, it has a worrying number of echoes in the #MeToo era.
The Almeida Theatre take on an ambitious project, weaving eight episodes of the classic TV series into a cohesive work of theatre that dazzles and delights.
The National Theatre’s production has great effects, and a cracking score, but a poor script and inconsistent acting mean it fails to ignite.
Titus Andronicus hits the Barbican stage with a bang, bringing severed limbs aplenty, but also reminding us of the similarities between past and present.
From a revival of a play by the writer of Moonlight, to a retrospective of Picasso’s work in 1932 ,by the way of an operatic take on Gandhi’s time in South Africa, these are the picks of the spring.
A traditional production performed by an ensemble without a weak link
Hal Coase’s off-West End play Callisto is a must-see
While last year Pepe the Frog was propelling orange demagogues into the White House, this year we’ve seen memes act as a form of resistance against Trump, explore their own meanings, and bring us together in real life to celebrate Big Shaq.
The Tanzanian-born artist who amplifies the stories of people of the African diaspora is the oldest-ever winner of the prestigious award celebrating contemporary British art.
In our regular series, we ask the new Phoenix Editors how they manage to balance arts and science at Imperial.
Arts editors Adam Gellatly, Jingjie Cheng, and Indira Mallik give their highlights of the year
Arts editor Jingjie Cheng susses out the numerous life drawing classes that the city has to offer.