The National wants you to watch
But Jack Steadman suggests otherwise (this time, anyway)
All That Fall: A Light Show Hiding Real Substance
Emiel de Lange finds that the auditory component of Beckett's work far outweighs the visuals
Beckett in the City: A Potent Reminder of Inequality
Jingjie Cheng finds that Company SJ's city-based version of Rough for Theatre I and Act Without Words II reminds us of the relevance of Beckett's work
Meaning in Madness: Barbican's Celebration of Beckett
Fred Fyles heads to the Barbican, where they are currently celebrating the work of Samuel Beckett, to watch Lessness and Waiting for Godot
McQueen: A Well-Cut Piece of Theatre
Clara Clark Nevola is surprised by the heart of this new bio-drama
The Siege: Violence in the Levant
Clara Clark Nevola checks out this Palestinian work
A Return to Tradition for the National Theatre
Fred Fyles reviews the latest effort from director Simon Godwin, the lively restoration comedy The Beaux' Stratagem
Ninagawa’s Hamlet shows a new Bard
Jingjie Cheng finds that Shakespeare’s language is universal
A fractured take on a fractured world
Jack Steadman has never seen Carmen, but that doesn't matter in Simon Stephens' new take on the classic opera.
Coming down with a bad case of the Twits
Jack Steadman is less than enthused by the Royal Court's latest
Do you really care about the NHS?
Jack Steadman definitely does, and so does Michael Wynne, writing for the Royal Court.
In Conversation: Ian MacNeil
Ian MacNeil is the set designer for Everyman, currently on at the National Theatre. Felix Arts’ Jack Steadman caught up with Ian during the run of Everyman for a chat about his work on the show, as well as a look back at his career.