A fractured take on a fractured world
Jack Steadman has never seen Carmen, but that doesn't matter in Simon Stephens' new take on the classic opera.
Coming down with a bad case of the Twits
Jack Steadman is less than enthused by the Royal Court's latest
Do you really care about the NHS?
Jack Steadman definitely does, and so does Michael Wynne, writing for the Royal Court.
In Conversation: Ian MacNeil
Ian MacNeil is the set designer for Everyman, currently on at the National Theatre. Felix Arts’ Jack Steadman caught up with Ian during the run of Everyman for a chat about his work on the show, as well as a look back at his career.
Livin' it large on Avenue Q
Jack Steadman enjoys this debauched puppet musical far too much. Twice.
The RSC's Thoroughly Modern Miller
Jack Steadman can't stop thinking about the RSC's powerful production of Death of a Salesman.
Zero-hours in an hour and a half
Jack Steadman is nowhere near beyond caring at the National's Temporary Theatre.
Celebrating the Queen of Modernism
Jingjie Cheng on the ROH’s new ballet, based of Virginia Woolf’s work
Slash and Burn: The Future of British Arts under the Tories
Indira Mallik guides us through the proposed changes to funding for culture under the Conservative majority
When Satire Starts to Age
Clara Nevola Clark finds Product’s humour dated
A new meta-opera arrives at the ROH
Angus James Morrison finds The Virtues of Things to be a mixed bag
Blood: A Tale of Two Halves
Clara Nevola Clark finds Soho Theatre’s play divisive