King Charles III – Princely Propaganda or Royalist Treat?
Max Falkenberg asks if this play glosses over an important issue
‘Tis Pity She’s a Whore – Shakespeare’s moral dilemma
Jingjie Cheng raves about the Globe’s new production of a classic
Two Worlds of Fashion, Complete Poles Apart
Fred Fyles visits The Photographer’s Gallery to see what’s trendy
Voyeur at the Courtauld: Schiele’s Radical Nude Impresses
Mindlessly erotic - Elizaveta looks at Egon Schiele's works
When Art and Fashion Collide
An Exploration of the History of the Relationship Between Fine Art, Fashion, and Commerce by Fred Fyles
Delight your inner Barbie doll
Wedding days: they’re everyone’s opportunity to live out their fairy tale. And, of course, the best way to feel like a princess is to look like a princess – cue the ever-fascinating obsession of the wedding dress.
Moriarty gets messy with money
Birdland is thought-provoking but mainly just confusing, says Chris Witham
What A Testament
Fred Fyles is blown away at the Barbican
No Such Sweetness
Max Falkenberg McGillivray reviews a new one-woman play about Syrian refugees at the Young Vic
The Great Cover Up
Rhian Jones discusses the depiction of the male nude in Western art
What’s that in the background?
What are paintings all about anyway?
An alcoholic bucolic frolic
DramSoc’s spring term production of Jerusalem, directed by Grace Surman, opens with a young girl wearing fairy wings singing the eponymous hymn in the middle of the countryside.