Mad House Review
David Harbour and Bill Pullman are the dysfunctional father and son whose love/hate relationship veers on the side of hate a little too often.
The Fellowship Review
Love and loss are stratified across three generations in Roy Williams’ tender and sweet new play
World of ASMR review
A new exhibition at the Design Museum explores the weird and the wonderful world of ASMR.
Oklahoma! Review
An astounding crafted deconstruction of the golden age musical
My blue shirt left in an arid sun
I like to forget that you exist, but I only know this joy when you are remembered and the joy no longer lasts. A pleasure known with hindsight, a pleasure that will always last the memory of touch and skin and the kiss of corduroy linger. But memory fades like
The Handmaid's Tale Review
As the audience enter the London Coliseum, the handmaids’ red jackets, symbols of their oppression, dangle on stage inhabited as if being worn by invisible figures.
The 47th Review
This is a play about politics, not a political play.
Straight Line Crazy Review
Robert Moses supposes he proposes the best urban planning, but Robert Moses supposes erroneously.
Rigoletto Review
Power, corruption, and lies take centre stage in Oliver Mears’s production of Rigoletto which returns to the Royal Opera House after its premiere in September
The Collaboration Review
Anthony McCarten’s new play about Andy Warhol and Jean Michel Basquiat wants to poke fun at the economics of market, how feeble it is, how fickle it is.
The Forest Review
After writing and directing an Oscar winning adaption of his play The Father, Florian Zeller returns to his theatrical roots with a new play premiering at the Hampstead Theatre.
Dada on stage
“The problem with doing nothing is that you don’t know when you have finished”