LFF: A Monster Calls
A Monster Calls breaks promise, leaving audiences disappointed.
LFF: Certain Women | Postcards from the edge of solitude
Kelly Reichardt fashions a beautifully-intimate portrait of four women, in her sixth feature film, Certain Women, which details our relationships with the natural world, other individuals, and our own loneliness
LFF: Certain Women | Postcards from the edge of solitude
Kelly Reichardt fashions a beautifully-intimate portrait of four women, in her sixth feature film, Certain Women, which details our relationships with the natural world, other individuals, and our own loneliness
TONI ERDMANN
Sight&Sound’s Best Film of 2016, Toni Erdmann follows the attempts of a father attempting to reconnect with his estranged daugher, with a perfect mixture of hilarity and sincerity
Films in protest
Do films have the capacity to influence and further change in our society and worldwide? From films like Cowspiracy to the infamous Triumph of the Will, history answers the question with a resounding, ‘yes’.
Yariv Mozer - The Invisible Men
Yariv Mozer visits Imperial
An exploration of the irrational
We head down to the opening night of the ICA’s Buñuel retrospective, where a selection of his key films – Un Chien Andalou, Eating Sea Urchins, and L’Age D’Or – display his mastery of the surreal.
Jafar Panahi is the Iranian neo-realist
Since his 2011 arrest, Iranian director Jafar Panahi’s fimmaking has become a cause célèbre in the cinema world. We take a look at his life, his work, and the events leading up to his ban on producing films.