Saturday 18th saw the London Philharmonic Orchestra at the Southbank Centre play Igor Stravinsky’s 1910 ballet The Firebird, his first of many orchestral pieces commissioned by the Ballets Russes, and my personal favourite. Being something of a classical music fan, I went along to my first major performance of
Design and Disability: a probing V&A exhibit interrogating design justice
What does it mean to be pretty, or even hyperpop pretty, in the hyperindividualist 2020s?
This week marked the end of the run for Tom Morris’ Othello, a star-studded production that takes a conservative approach to the Shakespearean tragedy. Even so, it frequently draws laughter from the audience. David Harewood returns to the part 28 years after becoming the first Black actor to play the
Modernising adaptation is shaky on emotion but rich in tone.
This winter break was my first spent staying in London. A friend from abroad came to visit – an avid lover of art, happily unaffiliated with expertise – and I found myself playing the role of guide, leading him through the city’s museums and galleries. At each entrance, he paused, slightly
A look at Florence and the Machine’s extraordinary new album.
Steam reviews don't always tell the full story, especially when a game goes through a tough early access. In this exclusive interview, CSF's developers talk about their experience.
A committee member from Alternative Music Society reviews Ranga Records’ latest live event
The double bill by DramSoc and MTSoc stunned all viewers.
...And the death of the muse
Or, how I spent another Saturday hanging out with my friends.