
Confess and you may enter
Arts Editor Vaidhiswaran Ramesh reviews 'Sin' the exhibition at the National Gallery
Arts Editor Vaidhiswaran Ramesh reviews 'Sin' the exhibition at the National Gallery
Two records from across the globe that we think are fantastic
Car Seat Headrest’s latest LP is a transitional period for the band that marks a movement away from the sounds that first got them recognised
Does the music of my teenage years actually sound good? Was my taste just trash?
Is the Covid-inspired launch of digital streaming for arts venues a sign of a dawning, brave new world?
Nick chronicles his witness to the 640-year musical experiment at St. Burchardi Church, Germany. The first organ-chord change in 7 years took place September.
Electronic aims to be a comprehensive history of dance music, from the creation of the first synthesisers, to acid houses, Boiler rooms, post-wall Berlin techno and everything in between.
Nauman, an American born in Indiana in the 40s, explores the human body, play, discomfort, life and death in different colours. Walking from room to room in the exhibition, feelings of unease are not uncommon.
Contrary to what John Milton said, prose may be king but verse isn’t dead
Shakespeare’s classic tale has been updated, but in a way that I did not find particularly satisfying.
Brief but powerful, this exhibition about climate change has the viewer glued all the way through.
It’s immersive theatre with little to sell it but the immersion. Watch the film instead.