James Blake’s Assume Form doesn’t quite take shape
In a bid to ditch the “sad boy" label, electronic singer-songwriter James Blake’s latest work contains more upbeat sounds and a host of features. Miles Gulliford argues that his efforts are in vain.
In a bid to ditch the “sad boy" label, electronic singer-songwriter James Blake’s latest work contains more upbeat sounds and a host of features. Miles Gulliford argues that his efforts are in vain.
Southwark Playhouse turns Shakespeare’s comedy Twelfth Night into a colourful rave with more glitter than gold.
It’s easy to forget that Ben Howard released an album last year. It came and went, with no hit singles and an understated sound almost unrecognisable compared to the cheery beach-folk of his debut. The nature of this quiet and underdiscussed release is what makes the decision to perform
Or when tube stations turn into art galleries!
Les Antliaclastes’ Waltz of the Hommelettes fuses folklore and fantasy with a flourish.
Cirque du Soleil is back in London this winter with Totem, an elegant exploration of the evolution of mankind.
Stefan Herheim’s production delivers confusion in spades
Three years on from the death of music icon David Bowie, Felix pays tribute by ruminating on some of the more overlooked tracks from his magnificent and eclectic career.
Not considered a Shakespeare masterpiece by any measure, the Royal Shakespeare Company breathes some life into The Merry Wives of Windsor and manages a hilarious ‘Essex’.
Saving the stage glitz and glamour for his costumes, Jonny Woo’s All-Star Brexit Cabaret is a hit
Aging pantomime performer Ronal Roy Humphrey returns to his dressing room, still dressed in bright dress and impressive wig. He’s as loud and as flamboyant as you would expect from a panto star. But there’s more beneath the surface for Roy. Faced with aging and the inevitable changes
Bristol Revunions and Bristol Improv present their side-splittingly funny Halloween Show at the Bristol Improv Theatre.