Heather Phillipson’s egg-based installation at Gloucester Road station is only the latest in a series of artistic interventions from Art on the Underground, which draws inspiration from the tube network’s history of iconic designs, from architecture to typography.
Summer can be a great time to educate yourself about art history, using all the resources London has to offer. Arts Writer Maria Zagorulko takes you through some key movements to look out for.
Age Of is a brilliant development for Oneohtrix Point Never, which sees producer Daniel Lopatin taking on more collaborators, and deconstructing popular music’s toolkit.
Mindy Lee is an artist and curator of the Blyth Gallery – the creative hub of Imperial, showcasing various works from Imperial students and professional artists throughout the year. In a continuation of the Clash of Culture series, Fred Fyles, Editor-in-Chief, talks to Mindy about her work at the gallery and
The Tate Britain’s new show does a good job looking at how WWI impacted artists, but falls apart at the end.
The Spacebomb queen returns with a new record label and a new sound.
Ye is back, with an album that's dividing critics.
…plus a brief obituary for Aubrey Graham.
Father John Misty’s back. God’s Favourite Customer, his fourth full-length, is a tortured and tantalisingly vulnerable exploration of the human psyche. Serving wit and darkness in equal measure, Josh Tillman only reaffirms his lyrical majesty.
The third of Tacita Dean’s London shows highlights the artist’s wide range of talents.
Terrible puns aside, the new A$AP Rocky has some issues with consistency, but is an all-round solid work.
The Felix Music Editor-delinquents planned out this piece, like, three weeks ago, but they didn’t publish it until now by fault of a stunning lack of functionality. Oh, and exams and all that. We are mortal men after all.