Mindy Lee is an artist and curator of the Blyth Gallery – the creative hub of Imperial, showcasing various works from Imperial students and professional artists throughout the year. In a continuation of the Clash of Culture series, Fred Fyles, Editor-in-Chief, talks to Mindy about her work at the gallery and
The Tate Britain’s new show does a good job looking at how WWI impacted artists, but falls apart at the end.
Father John Misty’s back. God’s Favourite Customer, his fourth full-length, is a tortured and tantalisingly vulnerable exploration of the human psyche. Serving wit and darkness in equal measure, Josh Tillman only reaffirms his lyrical majesty.
The Felix Music Editor-delinquents planned out this piece, like, three weeks ago, but they didn’t publish it until now by fault of a stunning lack of functionality. Oh, and exams and all that. We are mortal men after all.
The third of Tacita Dean’s London shows highlights the artist’s wide range of talents.
Terrible puns aside, the new A$AP Rocky has some issues with consistency, but is an all-round solid work.
The slacker-rock queen returns, with an album that moves away from witty lyrics, and towards introspection.
R. Kelly has been accused of keeping women as 'sex slaves' in new lawsuit.
This new display of drawings at the Courtauld Gallery highlights some technical aspects of how artists work, but reveals much more about how artists really view themselves.
The collaboration between ENO and the Gate Theatre brings together a set of songs banned by the Nazis for being ‘un-German’ – it’s a fantastical evening, which deserves a bigger setting.
The new redesign kicks off this weekend, with a free art party.
Arctic Monkeys return with their follow up to AM: A full-blown concept album that takes in modern politics and social commentary, while moving towards a new sound.