A night of wicked cabaret takes us back in time
The collaboration between ENO and the Gate Theatre brings together a set of songs banned by the Nazis for being ‘un-German’ – it’s a fantastical evening, which deserves a bigger setting.
The new Royal Academy places students at its heart
The new redesign kicks off this weekend, with a free art party.
Take your protein pills and put your hair gel on
Arctic Monkeys return with their follow up to AM: A full-blown concept album that takes in modern politics and social commentary, while moving towards a new sound.
Shô! it’s come to this: jazz fusion from Marseille
Let's get this Shô! on the road
Beach House return with lucky number 7
The dream-pop band’s latest work sees them developing their sound, embracing a more aggressive palette, while retaining their charm.
America, vodka, and me: Tori Scott’s raucous cabaret comes to London’s Vault Festival
The Texan-born singer brings her confessional performance to London.
Ólafur Arnalds at his absolute best
The minimalist master comes to the Royal Albert Hall.
The soul of hip-hop: why J. Cole’s status as a member of rap’s elite trifecta can no longer be disputed
J. Cole is often seen as a musician overshadowed by Drake and Kendrick Lamar, but with KOD, his latest studio album, he shows why he’s a vital voice in modern hip-hop. Music writer Jordan Bunke charts his evolution as an artist, and shows why nobody can dispute Cole’s
Clash of Cultures: Giskin Day
Giskin Day is a Principal teaching fellow and course lead for the intercalated BSc in Medical Sciences with Humanities, Philosophy, and Law. She sat down with Felix’s Editor-in-Chief, Fred Fyles, to discuss her career, course, and the importance of creativity in science.
Grid of Points – A ambient meditation on silence and absence
Grouper’s latest album, recorded in the middle of a cold snap, sees them moving more towards piano and vocals, in a guarded display of intimacy.
American Dream: Dirty Computer is the truth Janelle Monáe no longer wants to hide
Monáe steps out of Cindy Mayweather’s shadow in her most powerful album yet.
A wrong, mostly short history of punk rock, part III
Hank finally got his shit together sufficiently to write the third and final installment of Felix Music’s history of the nittiest, grittiest genre that’s ever graced a recording booth. Unfortunately, he still can’t write consistent titles.