Abdullah Ibrahim’s set to remember: a co-op review
The master of Cape Jazz showed why he's the boss at the Royal Festival Hall.
The new Taylor Swift album can’t come to the phone right now. Why? Oh, ‘cause it’s shit.
Taylor Swift’s sixth LP is a powerful statement that unequivocally cements her as one of this century’s most mediocre sensations.
The Felix guide to the London jazz scene: the clubs
Felix's resident jazz man Alex Montgomerie-Corcoran
Politics and the value of rhetoric in early Rome
An attempt to hold a mirror to the current world of politics in Coiolanus falls flat, but the characters shine through.
You can’t Trump the ALL-AMERIKKKAN BADA$$
On the anniversary of Donald Trump’s election, we revisit one of the year’s most political hip-hop albums
Weezer wheezes out another fucking travesty...
Yeah, it's... not good.
Home Is the Place…
Yas! – Kweens take the stage as part of TEDxUCL Women 2017.
Clash of Cultures: Can the arts thrive in the science dominated campus of Imperial?
Arts Editor Adam Gellatly talks with Felix’s very own Editor in Chief Fred Fyles to chat about arts at Imperial and his current and previous roles at the paper.
An indescribable pause: The Impressionists’ love letter to London
Tate Britain assembles Pissaro, Monet, and Whistler for an ode to the capital.
An aktual-ly good album this week
Ash Koosha tries to develop the work of his previous releases, but things feel disjointed.
Plunge: A clarion call to sexual liberation
Fever Ray’s first album in nearly eight years is a more aggressive work, which examines love, lust, and the uncontrollable id.
Krept & Konan abandon the London underground in their new mixtapes 7 Days and 7 Nights
The new work shows they’re shifting towards the mainstream, but they haven’t chosen the right direction.