In Dominic Cooke’s directorial debut, he sticks closely to Ian McEwan’s original book, but it’s clear he’s more comfortable with the theatre, with many aspects of the film resembling a stage play.
Andrew Haigh’s latest release is a new direction for the filmmaker, but sees him expanding his horizons for a modern-day western.
Let the Sunshine In and Funny Cow offer the audience the choice between two portraits of emotionally-complex women, while eschewing a sense of resolution.
Wes Anderson shows us how much he loves dogs and Japan in his latest film.
We give you our top picks for what to watch when you’re taking a ‘quick’ study break in Central Library.
Joaquin Phoenix tracks down missing girls for a living and, unsurprisingly, things go wrong. Film Writer Lawrence Good looks into his descent into madness and gives us his take on this nightmare-fuelled thriller.
Currently only 11% of films are made by women. We need to try and break this trend, but could 2018 be the breakout year for women in cinema?
Gary Oldman is getting old, man, visionary director wins for fish-sex fantasy, and everyone googles “inclusion rider”.
We take you through our picks for the night
In The Shape of Water, Guillermo del Toro has created a complete fantasy world, in which the viewer is able to completely immerse themselves.
This year’s Baftas cemented what we already knew, in a disappointing year.
Arriving in the UK with a wave of hype, will Black Panther live up to expectations? Well the newest addition to the Marvel Cinematic Universe has this writer ready to switch passports.