
The Shape of Oscars
Film Editor Ashley Luckyram reacts to landmark nominations for first-timers Greta Gerwig and Jordan Peel, as Phantom Thread and Paul Thomas Anderson ghost into the reckoning.
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Film Editor Ashley Luckyram reacts to landmark nominations for first-timers Greta Gerwig and Jordan Peel, as Phantom Thread and Paul Thomas Anderson ghost into the reckoning.
The exploration of Obama’s last year in office is greatly lessened by a refusal to criticise.
Charlie Brooker is back, with six new episodes of his dark sci-fi anthology. But how do these episodes compare to seasons past? We take you through the highs, the lows, and the weird.
Three Billboards Outside Ebbing, Missouri heads into the Oscars race as a front-runner, but Martin McDonagh’s third feature tries to take on the heavy-hitting topic of police brutality, and falls flat.
At one point, it seemed that #MeToo and Time’s Up would pass director Woody Allen by, but things are starting to change, as more actors disavow their relationships with him.
Twelve months ago Sundance kicked off a wonderful year for film – what will the 2018 edition bring?
Agyness Deyn and Jim Sturgess have enormous fun in Neil Cross’ show, which is completely bonkers, but fails to make the most of its interesting premise.
Darkest Hour is a stolid drama, but not much beyond that.
Ridley Scott’s All the Money in the World tries to take on too much, and the result is a film that lacks focus.
Felix Film takes you through our top tips for this term’s film releases, as we plunge into awards season
Film Writer Rowan Dixon gives us his thoughts on the latest Michael Moore film about Donald Trump, the state of North American politics and Gwen Stefani.
Countless hours went into the making of this sublime series, which highlights the urgent need for us to clean up our act.