Baftas 2018: A predictable awards ceremony that leaves the road to the Oscars clear
This year’s Baftas cemented what we already knew, in a disappointing year.
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This year’s Baftas cemented what we already knew, in a disappointing year.
Following on from the success of Leviathan, the Russian director returns with another masterful film in which a missing child serves to highlight one couple’s breakdown.
American Vandal, one of Netflix’s latest offerings, has flown under the radar of many viewers, but it deserves to be watched for its smart writing, bold narrative, and excellent acting
Sir Daniel Day-Lewis bows out on a high as Paul Thomas Anderson returns with the best film of the year.
We take a look back through the last hundred years of the Academy Awards to see what has changed.
If you head to Los Angeles, as well as seeing the Hollywood sign, you should try and check out the filming of a TV show, to glimpse the machine behind the magic.
A politically-charged Best Director race influenced by a younger voting pool has made us question what it really means to direct a film.
Fred Fyles dives deep into Linklater’s wisecrack fuelled road trip drama, starring Steve Carell, Bryan Cranston, and Laurence Fishburne, and does not like what he finds...
Film Editor Ashley Luckyram reacts to landmark nominations for first-timers Greta Gerwig and Jordan Peel, as Phantom Thread and Paul Thomas Anderson ghost into the reckoning.
Steven Spielberg’s prestige drama is nothing short of professional, but lacks frisson and excitement.
The exploration of Obama’s last year in office is greatly lessened by a refusal to criticise.
Anime is much more than it might appear at first. TV writers and anime enthusiasts Mingrou Xie and Pavan Inguva take you through their top picks for all tastes.