First They Killed My Father: Angelina Jolie’s first directorial triumph
With First They Killed My Father, Angelina Jolie retells a story of intense hardship and miraculous survival through the eyes of a child that experienced it all.
Barry Lyndon: Stanley Kubrick’s greatest masterpiece
Savaged by critics upon its release, Barry Lyndon deserves to be respected for the visual and philosophical masterpiece that it is
Wonder Women: who rules the silver screen?
Inspired by the discussion on who will succeed Sir Daniel Day-Lewis as the best actor in the world, we look at the greatest actresses on the planet.
Mindhunter – true crime binge TV
Producer David Fincher’s influences are enough to keep this gritty cross section of 70s police culture moving forward.
Luca Guadagnino serves us up a shimmering slice of young desire
Hotly-tipped for success at this year’s Academy Awards, Call Me by Your Name is a heady tour-de-force of love and passion in the north of Italy.
An exercise in unremitting tension and horror
Yorgos Lanthimos returns with The Killing of a Sacred Deer, which cements his reputation as a master of unease
Sally Potter’s dinner party from hell
The Party is a black and white lesson in tension and cynicism.
Moving on from Daniel: where do we go now?
As Sir Daniel Day-Lewis retires from acting, who takes up his mantle?
Like a Heartbeat Drives You Mad – short films on the dark side of love
Film Editor Michael Purdy gives his verdict on this series of shorts
Dystopian sci-fi is absolutely necessary
Comment Editor Charles Titmuss argues that dystopian futures are vital, even in our modern age, as they allow us to prepare for a possibly-terrible future.
Felix Film’s Summer 2017 cinema round-up
How we fell out of love with the Hollywood blockbuster.
Black Mirror – What is it good for?
As the real world gets progressively more insane, do we still need dystopian sci-fi?