A messy, ham-fisted take on race and violence
Three Billboards Outside Ebbing, Missouri heads into the Oscars race as a front-runner, but Martin McDonagh’s third feature tries to take on the heavy-hitting topic of police brutality, and falls flat.
Money can’t buy you everything…
Ridley Scott’s All the Money in the World tries to take on too much, and the result is a film that lacks focus.
Coming to a screen near you soon…
Felix Film takes you through our top tips for this term’s film releases, as we plunge into awards season
Fahrenheit 11/9 Review
Film Writer Rowan Dixon gives us his thoughts on the latest Michael Moore film about Donald Trump, the state of North American politics and Gwen Stefani.
BBC’s Blue Planet II – A natural masterpiece
Countless hours went into the making of this sublime series, which highlights the urgent need for us to clean up our act.
For your consideration: the first annual Felix Film Awards for 2017
The Film Editors have cast their ballots. We are proud to present the 2017 winners of this year’s inaugural Felix Film Awards! Read on to see who came out on top…
Awards season contenders: our top picks
In our final issue of the year, we reveal who is likely to come out on top at next year’s Academy Awards
Our guide to the 2018 awards season contenders II: the Film Editors strike back: Judgement Day: Reloaded
In the penultimate entry of our thrilling trilogy, we continue our run-through of films with the biggest Oscar aspirations.
Mudbound – A sweeping epic that plays out like an intricate character study
Dee Rees confronts the brutal realities of prejudice and privilege in the divided Jim Crow South.
Justice League fails to save the (cinematic) day
The film had a lot to prove from the start, but doesn’t manage to impress
Our guide to the 2018 awards season contenders (Part 1)
Yes, the Oscars are four months away. No, we don’t care. Really.
Alias Grace – Exploring the hidden identities of Victorian women
Like The Handmaids Tale, Alias Grace is a chilling exploration of women’s rights, that has parallels in the modern age of Trump and Weinstein.