An operatic nightmare of psychological trauma
Felix reviews You Were Never Really Here
The Death of Stalin: Armando Iannucci returns
Renowned political satirist Armando Iannucci’s second escapade into film. It may be The Death of Stalin but will it be the revival of top notch satire movie making?
Memes, marketing, and Szechuan sauce
An attempt by McDonald’s to tap into the Rick and Morty fandom by giving away a sauce from the 1990s shows us a bit about fandoms, but a lot about how marketing works in the digital age.
Marvel Universe’s small screen efforts make for forgettable television
Netflix’s latest foray into Marvel’s Cinematic Universe finally brings its small screen ensemble together. But is Defenders an Avengers-style blockbuster or a Fantastic Four flop?
Rick and Morty – back where we started?
Everyone’s favourite neglectful Grandfather has graced our screens and left almost as schwiftly as he arrived with a season that presses the reset button on last years finale
Freshers are coming
Which Game of Thrones faction is your department or society?
Stretching your student loan: cinema on a budget
Felix’s guide to how to see the most films with the least money, at the cheapest cinemas London has to offer
Your Name: Freaky Friday by way of Kierkegaard
Your Name, the latest from Makoto Shinkai, combines body-swapping humour with a deep philosophical message
LFF: Manchester by the Sea
A restrained exploration of grief, with exceptionally strong performances from Michelle Williams and Casey Affleck, Manchester by the Sea is the most moving film of the year.
LFF: La La Land
The highly aticipated modern day musical which draws inspiration from the old classics is as amazing as the hype has made it out to be.
LFF: Certain Women | Postcards from the edge of solitude
Kelly Reichardt fashions a beautifully-intimate portrait of four women, in her sixth feature film, Certain Women, which details our relationships with the natural world, other individuals, and our own loneliness
LFF: A Monster Calls
A Monster Calls breaks promise, leaving audiences disappointed.