Black Panther: Ryan Coogler breaks the mould of a superhero film
Arriving in the UK with a wave of hype, will Black Panther live up to expectations? Well the newest addition to the Marvel Cinematic Universe has this writer ready to switch passports.
Baftas 2018: A predictable awards ceremony that leaves the road to the Oscars clear
This year’s Baftas cemented what we already knew, in a disappointing year.
Loveless: Andrey Zvyagintsev gets under the skin of modern Russia
Following on from the success of Leviathan, the Russian director returns with another masterful film in which a missing child serves to highlight one couple’s breakdown.
American Vandal: A detective mockumentary that goes beyond dick jokes
American Vandal, one of Netflix’s latest offerings, has flown under the radar of many viewers, but it deserves to be watched for its smart writing, bold narrative, and excellent acting
Phantom Thread: A haunting masterpiece
Sir Daniel Day-Lewis bows out on a high as Paul Thomas Anderson returns with the best film of the year.
Diversity at the Oscars – how far have we come?
We take a look back through the last hundred years of the Academy Awards to see what has changed.
Behind the curtain of Hollywood
If you head to Los Angeles, as well as seeing the Hollywood sign, you should try and check out the filming of a TV show, to glimpse the machine behind the magic.
On Directing Film
A politically-charged Best Director race influenced by a younger voting pool has made us question what it really means to direct a film.
Last Flag Flying: Linklater’s latest
Fred Fyles dives deep into Linklater’s wisecrack fuelled road trip drama, starring Steve Carell, Bryan Cranston, and Laurence Fishburne, and does not like what he finds...
The Shape of Oscars
Film Editor Ashley Luckyram reacts to landmark nominations for first-timers Greta Gerwig and Jordan Peel, as Phantom Thread and Paul Thomas Anderson ghost into the reckoning.
The Post – confessions of a news editor
Steven Spielberg’s prestige drama is nothing short of professional, but lacks frisson and excitement.
Greg Barker’s Obama doc The Final Year is an exercise in hagiography
The exploration of Obama’s last year in office is greatly lessened by a refusal to criticise.