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Charlie Brooker is back, with six new episodes of his dark sci-fi anthology. But how do these episodes compare to seasons past? We take you through the highs, the lows, and the weird.
Agyness Deyn and Jim Sturgess have enormous fun in Neil Cross’ show, which is completely bonkers, but fails to make the most of its interesting premise.
Twelve months ago Sundance kicked off a wonderful year for film – what will the 2018 edition bring?
At one point, it seemed that #MeToo and Time’s Up would pass director Woody Allen by, but things are starting to change, as more actors disavow their relationships with him.
Darkest Hour is a stolid drama, but not much beyond that.
Three Billboards Outside Ebbing, Missouri heads into the Oscars race as a front-runner, but Martin McDonagh’s third feature tries to take on the heavy-hitting topic of police brutality, and falls flat.
Ridley Scott’s All the Money in the World tries to take on too much, and the result is a film that lacks focus.
Felix Film takes you through our top tips for this term’s film releases, as we plunge into awards season
Film Writer Rowan Dixon gives us his thoughts on the latest Michael Moore film about Donald Trump, the state of North American politics and Gwen Stefani.
Countless hours went into the making of this sublime series, which highlights the urgent need for us to clean up our act.
The Film Editors have cast their ballots. We are proud to present the 2017 winners of this year’s inaugural Felix Film Awards! Read on to see who came out on top…
In our final issue of the year, we reveal who is likely to come out on top at next year’s Academy Awards
