
A series of final problems | Sherlock
The hair’s looking better this season, at least
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The hair’s looking better this season, at least
Once again, Netflix rushes into rescue and, in this case, reboot a much loved property that had been poorly adapted. So, is the series any good, or does it become an all too literal rendition of its title?
A restrained exploration of grief, with exceptionally strong performances from Michelle Williams and Casey Affleck, Manchester by the Sea is the most moving film of the year.
Sherlock’s always hotly anticipated new years debut proved disapointing this year. A lukewarm mytery made for boring watching. So why couldn’t TV’s darling detective find his footing this year?
A strained, off-putting work
A Monster Calls breaks promise leaving audiences disappointed.
We pick so you won't have to
The highly aticipated modern day musical which draws inspiration from the old classics is as amazing as the hype has made it out to be.
The Crown takes a rare look at the formative years of Queen Elizabeth, and chronicles the royal family’s escapades through the 20th century. Does it stack up well? Or is is just aimless royalty-porn?
But, let’s avoid ending on a sour note. Despite everything, 2016 has been a remarkably good year for television. In fact, so much so that narrowing this down to just five was quite the challenge. So, in case you missed them, here are the highest highs of the year’s offerings.
Let’s face it, 2016 has been an awful year. To be honest, this section could easily just be ‘The News’. But, the shitiness of reality does not excuse the shitiness of art. So, let’s examine some of the attrocities commited in the name of ‘entertainment’ on the small screen this year.
Our writers and editors (as well as FilmSoc) choose their favourite films of the last twelve months, from big hitters to those that may have slipped under the radar...