The Witch
The FELIX review
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The FELIX review
The Coen brothers show the importance of never standing still
Shows should try to be fresh and do something which makes them unique
Race, colourism and the estate of Nina Simone
Our regular film column
If ever a piece was fitting of the descriptor ‘ensemble cast’, this would be it
The latest from the Coen brothers is solid filmmaking, but lacks a sense of energy
The FELIX review
Our regular film column
Our regular film column
Chris Rock’s introduction of Stacey Dash left us all totally stumped
There’s sentimentality, for sure, but nothing is forced