Kendrick vs Kendrick: To Pimp A Butterfly or good kid m.A.A.d city?
As the end of a decade in which Kendrick Lamar has dominated approaches, which of his records is truly the best?
As the end of a decade in which Kendrick Lamar has dominated approaches, which of his records is truly the best?
Future has always been a hit-making machine. Earlier in his career he adopted (and simultaneously established) a decidedly pimpish Atlanta trapper sound. Since then, Future has achieved ridiculous international recognition, the DJ Eskimo tags long gone. What set him apart from a Wacka Flaka or a Jeezy was his
Afriquoi describe themselves simply as an “afro supergroup” who perform “live African dance music fusing Congolese guitar + Gambian kora virtuosity with UK electronic sensibilities”. Its band members: Andre Marmot (on percussion), Jally Kebba Susso (kora), Fiston Lusambo (guitar), Andre Espeut (voice) and Nico Bentley (production) certainly live up to this
In a bid to ditch the “sad boy" label, electronic singer-songwriter James Blake’s latest work contains more upbeat sounds and a host of features. Miles Gulliford argues that his efforts are in vain.
It’s easy to forget that Ben Howard released an album last year. It came and went, with no hit singles and an understated sound almost unrecognisable compared to the cheery beach-folk of his debut. The nature of this quiet and underdiscussed release is what makes the decision to
Three years on from the death of music icon David Bowie, Felix pays tribute by ruminating on some of the more overlooked tracks from his magnificent and eclectic career.
Editor-in-Chief, Andy Djaba, continues his assault on the Music section
Candy’s Room take to the stage at the Amersham Arms this Friday night to debut new single ‘Hither Green’.
We asked, you delivered. This year at Felix we decided that rather than a conventional top-ten, we’d take a bunch of submissions from you, the people. And so here are, in no particular order, Imperial’s albums of the year 2018.
Rap’s prodigal son delivers his most focused (and challenging) effort yet.
After a term of writing about the library and Union breakfast, Editor-in-Chief, Andy Djaba, makes his triumphant return to the Music section
The ten-piece brass band takes to the stage to play through Arctic Monkeys’ 2006 bestseller Whatever People Say I am, That’s What I’m Not in its entirety, reinvigorated and reimagined.