Books
How To Walk On Water and Climb Up Walls
This book can inspire biologists to appreciate the broad scope of biological research, and help non-biologists understand the importance of curiosity
Latest
Culture
My blue shirt left in an arid sun
I like to forget that you exist, but I only know this joy when you are remembered and the joy no longer lasts. A pleasure known with hindsight, a pleasure that will always last the memory of touch and skin and the kiss of corduroy linger. But memory fades like
Culture
The Handmaid's Tale Review
As the audience enter the London Coliseum, the handmaids’ red jackets, symbols of their oppression, dangle on stage inhabited as if being worn by invisible figures.
Culture
A drawn-out American get together
Explore the familial dysfunction in a 'scientific' American family for a change.
Culture
The 47th Review
This is a play about politics, not a political play.
Culture
The Procession: A Celebration of Narrative in Form
The Procession, envisaged for the Tate Britain by Hew Locke, the famed British Sculptor and Visual Artist as part of the Tate Commission 2022, is a parade of elements
Culture
A Jittery drama that is often too close for comfort!
Life and death are complicated experiences. They both release a detritus of emotions that affect and shape not just the individual but everything around them.
Culture
Straight Line Crazy Review
Robert Moses supposes he proposes the best urban planning, but Robert Moses supposes erroneously.
Environment
A deep-dive into carbon off-setting: understanding its complexities
Environment writer Léa Haber takes a look at the ins and outs of carbon off-setting by corporations
Environment
What is Imperial doing to meet its sustainability goals?
Environment Officer Camilla Billari takes at look at the College's progress towards its net zero goal
Culture
The Hothouse: DramSoc’s Latest Cerebral Play
Perhaps more accurately titled the slaughterhouse, DramSoc’s The Hothouse is a bold and hysterical take on Harold Pinter’s provocative play.
Culture
Rigoletto Review
Power, corruption, and lies take centre stage in Oliver Mears’s production of Rigoletto which returns to the Royal Opera House after its premiere in September