
World of ASMR review
A new exhibition at the Design Museum explores the weird and the wonderful world of ASMR.
The student newspaper of Imperial College London
The student newspaper of Imperial College London
Section Editor: Alex Jackson, Alexander Cohen and Boxuan Zhang
The arts section covers artistic live performance and exhibitions in and around London
A new exhibition at the Design Museum explores the weird and the wonderful world of ASMR.
Hampstead theatre is cosy; its stage slanting downwards towards the audience, grey and completely empty. The lights go out and darkness descends. Suddenly, the stage is illuminated, and we jump into The Breach, a new play by Naomi Wallace.
Explore the familial dysfunction in a 'scientific' American family for a change.
As the audience enter the London Coliseum, the handmaids’ red jackets, symbols of their oppression, dangle on stage inhabited as if being worn by invisible figures.
An astounding crafted deconstruction of the golden age musical
Robert Moses supposes he proposes the best urban planning, but Robert Moses supposes erroneously.
Life and death are complicated experiences. They both release a detritus of emotions that affect and shape not just the individual but everything around them.
The Procession, envisaged for the Tate Britain by Hew Locke, the famed British Sculptor and Visual Artist as part of the Tate Commission 2022, is a parade of elements
This is a play about politics, not a political play.
Perhaps more accurately titled the slaughterhouse, DramSoc’s The Hothouse is a bold and hysterical take on Harold Pinter’s provocative play.
Power, corruption, and lies take centre stage in Oliver Mears’s production of Rigoletto which returns to the Royal Opera House after its premiere in September
Anthony McCarten’s new play about Andy Warhol and Jean Michel Basquiat wants to poke fun at the economics of market, how feeble it is, how fickle it is.
Cleverly constructed by Imperial’s own Singapore Society members, ‘Supernormal: The Musical’ was a delight to witness.
After writing and directing an Oscar winning adaption of his play The Father, Florian Zeller returns to his theatrical roots with a new play premiering at the Hampstead Theatre.
Political entities are deeply connected with the personal experience of individuals, this is a crucial point of Hanisch’s 1970 essay The Personal is Political.
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