Culture

Unique setting brings warmth to winter

The Globe’s The Winter’s Tale is striking in its clever use of an intimate atmosphere

Unique setting brings warmth to winter

The Winter’s Tale is a true winter’s delight. It is performed at the Globe Theatre, but fear not as it isn’t an outdoor getting-wet-standing-in-the-pit affair, rather you are welcomed to an enchanting theatre tucked next door, the recently built Sam Wanamaker Playhouse. The Playhouse is a replica of the theatre that Shakespeare’s plays were written for, with no modern giveaways in sight. It is intimate and snug; the small stage is surrounded by the limited audience and entirely lit by candlelight, giving a sense that you are peering into someone else’s living room. Along with the rich and vibrant characters, the musical quartet and the intimacy you feel warm and cosy, enough to brighten up even the dreariest of winter nights.

On entering the theatre I heard murmuring that we were in for a 3 hour ordeal, however even if it was it definitely didn’t feel like it. The Winter’s Tale follows the (not too complicated) story of the jealous and suspicious King Leontes who accuses his wife, the serene Hermione, of adultery with his childhood friend, another king. The tale follows the consequences of his sudden jealousy and the tragedy and rather fortunate events that follow.

The first half is a little slow and riddled more with the usual Shakespearean outpourings of emotions, speech and monologues, however it is not too hard to follow and you feel a certain sense of satisfaction for keeping up.

The juxtaposition of tragedy and then comedy brings the play to life

After a very sincere first half the second half picks up the pace, beginning with a jester style character who carries this comic feel through to the end. The morose atmosphere before is dissipated with declarations of love and a surprising amount of singing and dancing. This juxtaposition of tragedy and then comedy brings the play to life.

The acting as expected was impressive. Not particularly exceptional, but good enough. They made good use of the stage, often walking through the audience and even at one point jumping into the crowd and squeezing themselves onto the seats. The seats were a slight inconvenience as they are cushioned benches, so unless you get a seat at the rear you have to support your own back, making it a little difficult to get comfortable. But any notion of discomfort is soon forgotten when you get lost in the play. The ending is slightly bizarre, but there are enough good times to make up for it.

On the whole it is a unique and enjoyable experience, possibly more so for the charming atmosphere than the plot.

The Winter’s Tale is on at the Globe until 22nd April

From Issue 1627

19th Feb 2016

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