Issue 1754 Music

Bringing Classical Back To The Masses

Stravinski - Rite of SpringI may as well start with my favourite piece of music- and it’s one I played to a friend who never liked classical music, but fell in love with this piece. Stravinsky’s Rite of Spring, originally a ballet, tells the story of ancient Russian Pagan tribes in their rituals, several dances that culminate in a young girl dancing herself to the death. The raw power of this piece has inspired many composers, and indeed many rock groups, and legendarily was so groundbreaking for 1913 France that it provoked a riot outside the concert hall. Nothing quite comes close to Stravinsky’s own recording in terms of the energy that comes from this piece, so check out that. I said I’d keep it short so listen to part 1, starting with the Augurs of spring (about 2 minutes in) if you can’t wait for the action to start!

So often, when people talk about Classical music, many will either zone out, or groan. It’s somewhat alien, elitist, and many can find it boring. Elitist- yes, classical music has a problem, though this is starting to change over the summer, with some fantastic underrated composers being discussed in a recent BBC4 documentary (along with the rest of the arts programmes that no longer feature on BBC1 and 2). Much progress is needed though, as the Vienna Philharmonic rejected what would have been their first female principle flautist just this year. Alien- that’s what I hope to address in this column. The people who teach classical music have it wrong. They start with Mozart and Beethoven- the largest two names, but often with what can seem to young people as ancient and,well, boring. I was forcefed classical music from a young age by a very musical family, however when it was my turn to listen to music it was (60s) pop, until the age of 16. What happened? I listened to more 20th century classical music, which is what most young classical musicians prefer anyway (I read about an orchestra in Norway, I think, that plays only 20th century composers and enjoys a large audience with an average age in the 20s).

My goal in this column, as a conductor of my own student orchestra, will be to piggyback on the small rise in popularity that classical music has had in the recent months and recommend pieces that people without much exposure to classical can actually enjoy. I’ll also spotlight an underrated composer each week with one of their works. I’ll try to keep the pieces I recommend quite short, at least to begin with). I may also get some friends (and anyone interested) to discuss some of their favourite works here too!

Lili Boulanger - Psalm 24And now for something completely different: The early 20th century French composer Lili Boulanger is not quite as well-known as her sister Nadia, but is (in my opinion) the better composer, winning the Prix de Rome for her cantata “Faust et Helene”. Unfortunately, an early death aged 24 due to tuberculosis meant her works are very limited, but check out her psalm 24, which mixes a large orchestra with medieval chords for something quite different to the normal “canon” of Western Classical music, or her Vielle priere bouddhique, which is similar to Stravinsky’s style.