Pinter Six: Money can’t buy you love
The empty lives of the ultra-privileged
Matthew Bourne’s Swan Lake retains its wild heart
From the superstars of the Bolshoi to Billy Elliot raising money for a bus ticket to London, the history of the male ballet dancer is a checkered one- as filled with triumph and acclaim as derision and neglect. Few modern stagings have carved their place in the history of the
Courtauld Impressionists: From Manet to Cézanne
A true celebration of art, with over forty veritable masterpieces showcasing the cream of Impressionism. But is it value for money?
Caroline or Change Review
Change is in the air: Vibrant musical captures the spirit of 1960s America
ORPHEUS - A silent musical extravaganza
How can the classic Greek tale of Orpheus be told with almost no dialogue? A throwback to 1930s Jazz age Paris is the answer!
Courtauld Impressionists: From Manet to Cézanne
A true celebration of art, with over forty veritable masterpieces showcasing the cream of Impressionism. But is it value for money?
Carmen
Thoughts of an opera novice on the Royal Opera House’s version of a classic
DramaSoc presents: And Then There Were None
An unsettling, psychological murder mystery like no other, was brought to life by Imperial students last week
The Cat in the Hat Strikes Back!
When books are made into movies, fans and critics flock like vultures to tease apart the catastrophe to come. When the holy works of Dr Seuss were converted into a musical by Monty Python’s Eric Idle, similar scenes could be predicted. The story tries to integrate characters from across
NYT Rep’s Macbeth
Macbeth is female – but more than that, she’s human.
Nick Makoha: poetry on the boards
Award-winning poet Nick Makoha turns his hand to theatre with a show pregnant with beauty. Arts writer Calum Drysdale interviews him on his latest work, The Dark.
London and Life Lessons
Anyone who has grown up in a small town or community surrounded by the same people can relate to the feeling of social claustrophobia. During adolescence, when emotions are high and everyone wants to fit in, this becomes even more pronounced. In “Cuckoo”, written by Lisa Carroll and set in