As the days grow longer, the cultural offerings in the capital tend to dry up, with people electing to head outdoors rather than sit in the theatre. Rejoice, culture lovers – Felix is on hand with some of the top recommendations for a summer of art and culture.
Heather Phillipson’s egg-based installation at Gloucester Road station is only the latest in a series of artistic interventions from Art on the Underground, which draws inspiration from the tube network’s history of iconic designs, from architecture to typography.
Summer can be a great time to educate yourself about art history, using all the resources London has to offer. Arts Writer Maria Zagorulko takes you through some key movements to look out for.
Mindy Lee is an artist and curator of the Blyth Gallery – the creative hub of Imperial, showcasing various works from Imperial students and professional artists throughout the year. In a continuation of the Clash of Culture series, Fred Fyles, Editor-in-Chief, talks to Mindy about her work at the gallery and
The Tate Britain’s new show does a good job looking at how WWI impacted artists, but falls apart at the end.
The third of Tacita Dean’s London shows highlights the artist’s wide range of talents.
This new display of drawings at the Courtauld Gallery highlights some technical aspects of how artists work, but reveals much more about how artists really view themselves.
The collaboration between ENO and the Gate Theatre brings together a set of songs banned by the Nazis for being ‘un-German’ – it’s a fantastical evening, which deserves a bigger setting.
The Texan-born singer brings her confessional performance to London.
The new redesign kicks off this weekend, with a free art party.
Giskin Day is a Principal teaching fellow and course lead for the intercalated BSc in Medical Sciences with Humanities, Philosophy, and Law. She sat down with Felix’s Editor-in-Chief, Fred Fyles, to discuss her career, course, and the importance of creativity in science.
Tate Modern’s Shape of Light exhibition is a great history lesson in abstract photography, but neglects contemporary post-1970s technology and artwork.