Artists at Work – the original selfies
This new display of drawings at the Courtauld Gallery highlights some technical aspects of how artists work, but reveals much more about how artists really view themselves.
This new display of drawings at the Courtauld Gallery highlights some technical aspects of how artists work, but reveals much more about how artists really view themselves.
The collaboration between ENO and the Gate Theatre brings together a set of songs banned by the Nazis for being ‘un-German’ – it’s a fantastical evening, which deserves a bigger setting.
The new redesign kicks off this weekend, with a free art party.
The Texan-born singer brings her confessional performance to London.
Giskin Day is a Principal teaching fellow and course lead for the intercalated BSc in Medical Sciences with Humanities, Philosophy, and Law. She sat down with Felix’s Editor-in-Chief, Fred Fyles, to discuss her career, course, and the importance of creativity in science.
Tate Modern’s Shape of Light exhibition is a great history lesson in abstract photography, but neglects contemporary post-1970s technology and artwork.
The National Theatre’s production of Rodney King’s bawdy mediation on isolation, Absolute Hell, has moments of magic, but they are few and far between in the bloated structure.
V&A’s exhibition explores the history of fashion, from its environmental cost to sustainable eco-fashion today.
Gyre & Gimble effortlessly fuse cutting-edge puppetry with Max Richter’s beautifully recomposed rendition of The Four Seasons.
Matthew Lopez’ reimagining of Howard’s End attempts to be present a grand unified theory of what it means to be gay in America today.
The Tate Modern take us through one of the most important years of Picasso’s life, examining how he reacted to the world around him through his work.
Superb directing, solid acting, and the importance of a good script.