
Vivaldi’s The Four Seasons: a reimagining at the Sam Wanamaker Playhouse
Gyre & Gimble effortlessly fuse cutting-edge puppetry with Max Richter’s beautifully recomposed rendition of The Four Seasons.
Gyre & Gimble effortlessly fuse cutting-edge puppetry with Max Richter’s beautifully recomposed rendition of The Four Seasons.
Matthew Lopez’ reimagining of Howard’s End attempts to be present a grand unified theory of what it means to be gay in America today.
The Tate Modern take us through one of the most important years of Picasso’s life, examining how he reacted to the world around him through his work.
Superb directing, solid acting, and the importance of a good script.
Rebecca Frecknall directs a winning revival of one of Tennessee WIlliams’ lesser-known plays
The stage adaptation of Ingmar Bergman’s semi-autobiographical work “weaves new patterns”.
Tourettes hero Jess Thom gives Beckett’s notoriously difficult motormouth in Not I a personal and political spin.
London’s answer to the Edinburgh Fringe Festival takes place in the vaults below Waterloo station. Packed with independent theatre and music, the festival, on until March 18th, is an opportunity to see reasonably priced innovative productions you wouldn’t find anywhere else. Arts editor Jingie Cheng reports on the
An exploration of contemporary women artists resisting and subverting the status quo
Innovative staging, classic rock and modern costuming, makes The Bridge’s adaptation an unique experience.
Something of a hit and miss, a retrospective of Mark Dion’s work is most successful when it embraces the realities of nature.
The cult horror tale of missing schoolgirls in Australia gets an inventive twist in Tom Wright’s adaptation for the stage at the Barbican Centre.