Hard hitting EP from Hamburg duo
Music Editor Martin Flerin reviews Extrawelt's "Little we know" EP which he recommends for fans of Max Cooper, Dominik Eulberg and Minilogue
Music Editor
Music Editor Martin Flerin reviews Extrawelt's "Little we know" EP which he recommends for fans of Max Cooper, Dominik Eulberg and Minilogue
Olivier-award winning director Bijan Sheibani makes his playwriting debut with this thought-provoking examination of the gulf between nature and nurture
Magritte and Dali are two of the biggest names of the Surrealist movement, which changed the art world with its daring incorporation of the subconscious into artistic themes in the mid-20th century. You can now see the combined highlights of their works
Following the brief histories of jazz and rock, Felix now takes a look at the history of electronic music
5 stars Dominik Eulberg, the 41-year-old recluse birdwatcher, who happens to also make some of the best German techno, says that he feels drawn to the animalistic aspects of the genre. The sweating, the entranced dancing, the rapture when the crescendo lifts your feet off the ground. He brought all
4 stars We turn the corner, the gray lake at Canada Water still at the back of our minds. It’s pouring it down, and the group consensus is that we won’t miss the outside world for the next 10 hours. We’re going into the void. That is
We’re a week away from Denis Sulta’s biggest show in London yet, as he takes his Sulta Selects series to the mighty printworks next weekend. But what will the Scotsman bring to the Press Halls? Will it be hot air or even hotter heels on the dancefloor?
4.5 stars Floating Points is a man with a PhD from UCL. Now, I wouldn’t want to set the bar TOO high but FP’s friend Dan Snaith, a.k.a. Caribou, a.k.a. Daphni, has a PhD from Imperial, as does Brian May. Looking at musicians
Into the Night: Cabaret and Clubs, is yet another clever exploration of the modernist art scene by the Barbican
A collection of stories by Vasily Shukshin, visited the Barbican under the direction of Latvian Alvis Hermanis to an audience more Russian than Kandinsky’s caviar
Picking up where 2017’s The Weather left off, Aussie psychedelic rockers Pond are back, and they’re bigger, better, and bolder than ever before.
Rejoice, stoners, for you are no longer criminals. But beware, the gates have opened to allow the flooding of capitalisation on your prized good, and it may not be yours for long.