
NeighbourHOOD Grammys 2019
Editor-in-Chief, Andy Djaba, is joined by the NeighbourHOOD Grammys Committee, Walé Osikomaiya, Jamell Samuels and Jamil Wallace, to bring you the most hotly anticipated awards show of the year, #HOODGrammys2019
Editor-in-Chief, Andy Djaba, is joined by the NeighbourHOOD Grammys Committee, Walé Osikomaiya, Jamell Samuels and Jamil Wallace, to bring you the most hotly anticipated awards show of the year, #HOODGrammys2019
As the end of a decade in which Kendrick Lamar has dominated approaches, which of his records is truly the best?
Brecht’s political commentary, boldly executed
Enter a dream world of elegance and glamour
Poverty has a drowning effect. Those who are economically oppressed will often find themselves berated for paddling in an overly ferocious manner as they struggle for breath. Whilst the media and large swathes of politicians have failed to give voice to these suffocating communities, many artists are standing up to
Counting Sheep is a fully immersive theatrical experience that transports the audience to the events of the Kiev Uprising in 2014.
Another all-round pleasing hit from the queen of crime
Violet at VAULT Festival Review
Verdi’s La Traviata is undoubtedly one of the most well-loved and familiar operas of all time. First performed in London at Her Majesty’s Theatre in 1856, it is now the most-performed opera in the world. This particular production of the Royal Opera House, directed by Richard Eyre, celebrates
London has many museums, the V&A, Science Museum, Natural History Museum and even some outside of South Kensington! One of these is the Museum of Comedy, located in Bloomsbury. On the last Sunday of every month for the foreseeable future, the small venue inside is seized by the
Abdul waits during the entire show, perching in the top of a ladder and having nightmares about his wife who is trapped back in Syria. Debby stands for almost half an hour, strapped to a spider’s web with a pig-masked guard always by her side, a theatrical version of
Traveling all the way from Edinburgh, No Show is here to redefine what can be ‘backstage’ and ‘onstage’