New term, hoo dis? The 2018 album prospectus
Some albums are destined for greatness. I treasure the rest, and hoard them in my squalid flat.
Some albums are destined for greatness. I treasure the rest, and hoard them in my squalid flat.
The Windows boot sounds are unknown gems of the music world. Brian Eno was a collaborator! 12. Windows 98 Plus! Legitimately awful. I can’t believe the marketing theme thought this was a good idea. If I heard this noise out of my computer, I’d try to put it
The Manic Street Preachers return with more indie rock politics.
Music Editor Henry Eshbaugh signs off the year with an impassioned plea to participate.
This article started life as a thinkpiece. It then became a listicle, before reverting back to thinkpiece. Whatever form it now takes, it’s my final article of the year so you’d better bloody enjoy it.
Music Writer Ben Man takes a look back at Frank Ocean’s thoughtful, experimental, beautiful Blonde, nearly two years on from its release.
Only a week after the release of Ye, Kanye is back, this time teaming up with Kid Cudi as Kids See Ghosts. While the previous album felt rushed, this newest output is a refined and thoughtful masterpiece.
LA psychedelic-soul artist Kadhja Bonet returns with Childqueen, the follow-up to her breakthrough LP The Visitor, displaying her instrumental skills and syrupy vocals.
Heather Phillipson’s egg-based installation at Gloucester Road station is only the latest in a series of artistic interventions from Art on the Underground, which draws inspiration from the tube network’s history of iconic designs, from architecture to typography.
In the first UK exhibition dedicated to the great American landscape artist, Arts Writer Helen Money-Kyrle is awestruck at the grandness Cole’s paintings and poignancy of environmental message.
As the days grow longer, the cultural offerings in the capital tend to dry up, with people electing to head outdoors rather than sit in the theatre. Rejoice, culture lovers – Felix is on hand with some of the top recommendations for a summer of art and culture.
George Benjamin’s conduction of his new opera on King Edward II hits the correct notes musically and presents a stellar cast, but the plot leaves a sense of disappointment at what could have been a brilliant spectacle.