
A pared-down Carmen falls flat at the ROH
Despite strong singing, this version of Carmen doesn't reach the dizzy heights needed.
Despite strong singing, this version of Carmen doesn't reach the dizzy heights needed.
Despite rare glimmers of genius, the latest effort by soft rock outfit Rhye is disappointingly lackluster.
Julian Lage returns with his most assured album yet.
Philip Glass’ iconic work offers a unique opportunity to experience contemporary opera at its finest.
How can something that sounds so bad in principle sound so very good in practice? Felix investigates.
Garage-dwelling Ty Segall is back with another rock-your-socks-off album, a Pollock-esque splatter-painting of genres that’s money-back guaranteed to amuse and delight fans of psych rock everywhere.
In light of the passing of legendary The Fall frontman Mark E. Smith, Felix’s hottest new music writer offers his own profound and earth-shattering insights into an artist he knew too little about.
Always ones to be ambitious and experimental, Marble Skies sees the electro-rock outfit trying their hands at a variety of new styles. The result is an eclectic jumble that oozes colour.
The most hotly-anticipated awards of the year are here. Put your hands together for the NeighbourHOOD Grammys.
Magical, lyrical, life-affirming – the revival of a tale of brotherly love by the writer of Moonlight is necessary viewing
For a play examining the radicalisation of young men, Javaad Alipoor’s production finds an innovative way to bring its audience together.
Tang Xianzu’s classic Ming dynasty opera ponders this very question, in a new adaptation by the Guangzhou Dramatic Arts Centre.