
If you could live a beautiful dream, why would you wake up to reality?
Tang Xianzu’s classic Ming dynasty opera ponders this very question, in a new adaptation by the Guangzhou Dramatic Arts Centre.
Tang Xianzu’s classic Ming dynasty opera ponders this very question, in a new adaptation by the Guangzhou Dramatic Arts Centre.
Magical, lyrical, life-affirming – the revival of a tale of brotherly love by the writer of Moonlight is necessary viewing
Lucian Msamati gives a powerful performance in a fantastic revival of Peter Shaffer’s classic play about envy.
Andrea Dunbar’s masterpiece has come to the Royal Court at the right time. Despite being written in the 1980s, it has a worrying number of echoes in the #MeToo era.
Music Editor Henry Eshbaugh gives his take on a classic album.
That’s right, we’ve got another fucking list for you. Fucking sue us.
The nimble fingered German electronic producer, Nils Frahm, has returned with a gorgeous new album, and a freshly shaved head.
The Swedish sibling duo are back with their fourth album, Ruins.
Nine years after Oasis’ acrimonius split, the Gallagher brothers are still at it, desperately clamouring to be the better sibling. With a new solo album out from each, Ziying Fang gives his verdict on who came out on top.
With TDE’s bench ready to drop and a possible new Queen of rap, here’s what we’re looking forward to in 2018
Music Editor Henry Eshbaugh flew all the way to New York to see the mariachi band from hell
Last term, Felix named Humanz as one of the most disappointing albums of the year. Not happy with that, Sabina Nowakowska tells us why Gorillaz is more than just a band, but an ideology.