
Django Django venture into new territories
Always ones to be ambitious and experimental, Marble Skies sees the electro-rock outfit trying their hands at a variety of new styles. The result is an eclectic jumble that oozes colour.
Always ones to be ambitious and experimental, Marble Skies sees the electro-rock outfit trying their hands at a variety of new styles. The result is an eclectic jumble that oozes colour.
In light of the passing of legendary The Fall frontman Mark E. Smith, Felix’s hottest new music writer offers his own profound and earth-shattering insights into an artist he knew too little about.
The nimble fingered German electronic producer, Nils Frahm, has returned with a gorgeous new album, and a freshly shaved head.
That’s right, we’ve got another fucking list for you. Fucking sue us.
Music Editor Henry Eshbaugh gives his take on a classic album.
Andrea Dunbar’s masterpiece has come to the Royal Court at the right time. Despite being written in the 1980s, it has a worrying number of echoes in the #MeToo era.
Lucian Msamati gives a powerful performance in a fantastic revival of Peter Shaffer’s classic play about envy.
Nine years after Oasis’ acrimonius split, the Gallagher brothers are still at it, desperately clamouring to be the better sibling. With a new solo album out from each, Ziying Fang gives his verdict on who came out on top.
With TDE’s bench ready to drop and a possible new Queen of rap, here’s what we’re looking forward to in 2018
Last term, Felix named Humanz as one of the most disappointing albums of the year. Not happy with that, Sabina Nowakowska tells us why Gorillaz is more than just a band, but an ideology.
Music Editor Henry Eshbaugh flew all the way to New York to see the mariachi band from hell
Panda Bear's latest EP is an exploration of his influences