Beckett in the City: A Potent Reminder of Inequality
Jingjie Cheng finds that Company SJ's city-based version of Rough for Theatre I and Act Without Words II reminds us of the relevance of Beckett's work
Meaning in Madness: Barbican's Celebration of Beckett
Fred Fyles heads to the Barbican, where they are currently celebrating the work of Samuel Beckett, to watch Lessness and Waiting for Godot
Brandon flowers on his own
Jack Steadman sees Brandon Flowers command the Brixton Academy stage
Get on the zine
Grace Rahman asks: glorified sleeve notes or art in their own right?
The Siege: Violence in the Levant
Clara Clark Nevola checks out this Palestinian work
McQueen: A Well-Cut Piece of Theatre
Clara Clark Nevola is surprised by the heart of this new bio-drama
A Return to Tradition for the National Theatre
Fred Fyles reviews the latest effort from director Simon Godwin, the lively restoration comedy The Beaux' Stratagem
Ninagawa’s Hamlet shows a new Bard
Jingjie Cheng finds that Shakespeare’s language is universal
The RSC's Thoroughly Modern Miller
Jack Steadman can't stop thinking about the RSC's powerful production of Death of a Salesman.
Zero-hours in an hour and a half
Jack Steadman is nowhere near beyond caring at the National's Temporary Theatre.
In Conversation: Ian MacNeil
Ian MacNeil is the set designer for Everyman, currently on at the National Theatre. Felix Arts’ Jack Steadman caught up with Ian during the run of Everyman for a chat about his work on the show, as well as a look back at his career.
Do you really care about the NHS?
Jack Steadman definitely does, and so does Michael Wynne, writing for the Royal Court.