The sculptural legacy of an empire
Fred Fyles explores the Victorians’ love for statues at Tate Britain
Fireworks – A carnival of horror
Kamil McClelland examines the Royal Court’s new piece of Palestinian theatre
A journey into the sea’s depths
Jingjie Cheng takes to the ocean in the ROH’s opera
A History Lesson Too Far
Fred reviews the Tate Britain's exhibition on salt prints
A harrowing vision of a dark future
Fred Fyles questions what’s real at the Duke of York’s The Nether
Utterly Overpowered By Arthur Miller
Max Falkenberg is emotionally blown apart at Wyndham’s
Sargent – A Bridge To The Modern
Indira Mallik finds that Sargent was not all that he was painted to be
Radical Histories: what does it mean to be British today?
Fred Fyles takes in a century of the country’s artistic history at the Hayward Gallery
Interview: Jon Haynes in Conversation
The co-artistic director of renowned theatre company Ridiculusmus speaks to Max Falkenberg about schizophrenia, the creative process, the brutality of arts funding and throwing tomatoes at comedians.
Beauty and Betrayal at the ENO
Jingjie Cheng takes on Verdi’s classic La Traviata
The evolution of Arctic Monkeys
Joshua Renken chronicles the continuing reinvention of one of Britain’s best-loved bands
The Mastersingers of Nuremburg – spectacular in every way
Emiel de Lange examines whether the ENO can grapple with Wagner’s masterpiece