
The Breadwinner fails to win our heart
The animation, set in Taliban-controlled Kabul, has good intentions, but a weak script and lack of direction.
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The animation, set in Taliban-controlled Kabul, has good intentions, but a weak script and lack of direction.
In Dominic Cooke’s directorial debut, he sticks closely to Ian McEwan’s original book, but it’s clear he’s more comfortable with the theatre, with many aspects of the film resembling a stage play.
Netflix and other streaming services have brought with them a new raft of options for TV enthusiasts, but as they spread their resources thinner and thinner, hoping to get another hit, the viewers are losing out, lost amid a increasing pool of crap.
Andrew Haigh’s latest release is a new direction for the filmmaker, but sees him expanding his horizons for a modern-day western.
Wes Anderson shows us how much he loves dogs and Japan in his latest film.
Let the Sunshine In and Funny Cow offer the audience the choice between two portraits of emotionally-complex women, while eschewing a sense of resolution.
We give you our top picks for what to watch when you’re taking a ‘quick’ study break in Central Library.
Joaquin Phoenix tracks down missing girls for a living and, unsurprisingly, things go wrong. Film Writer Lawrence Good looks into his descent into madness and gives us his take on this nightmare-fuelled thriller.
Currently only 11% of films are made by women. We need to try and break this trend, but could 2018 be the breakout year for women in cinema?
Gary Oldman is getting old, man, visionary director wins for fish-sex fantasy, and everyone googles “inclusion rider”.
We take you through our picks for the night
Arriving in the UK with a wave of hype, will Black Panther live up to expectations? Well the newest addition to the Marvel Cinematic Universe has this writer ready to switch passports.