Big Talk | Speechless
The comedy is disarming and charming, but still manages to maintain a wry edge. It very much has the feel of a coming of age comedy
A stunning study of everyday beauty
Jim Jarmusch’s latest work Paterson is a breathtaking exploration of day-to-day life, blissful love, and the sheer power of poetry.
A Return to Stars Hollow | Gilmore Girls
Gilmore Girls is a well-loved multi-generational drama set in a picturesque Connecticut town. Its original run was a cultural touchstone, and its popularity made it an ideal candidate for Netflix’s recent revival spree. How does the revival compare?
Revolutionary viewing
Protest can be tiring, so of course you need some downtime. Fear not, however, your rebellion doesn’t have to stop when your body does. Here are four rebels to study while you put your feet up.
I, Olga Hepnarová
Eyes of a killer
Films in protest
Do films have the capacity to influence and further change in our society and worldwide? From films like Cowspiracy to the infamous Triumph of the Will, history answers the question with a resounding, ‘yes’.
Fantastic Beasts and Where to Find Them
Unless you live in a cave, it is quite hard to overlook the fact that Fantastic Beasts and Where to Find Them is finally out. First of all, it is difficult to walk down an entire street without seeing at least one poster, and secondly because the film has immediately
Yariv Mozer - The Invisible Men
Yariv Mozer visits Imperial
Voltron: Legendary Defender
A reinvention of a cult classic from the 80s, lovingly crafted by the skilled hands of Avatar’s Lauren Montgomery & Joaquim Dos Santos. How does Netflix’s modernisation of the iconic Voltron franchise hold up?
TV mourns for Adonaïs
Unfortunately, men dominate the best roles in television. So, you’d think that they’d at least be represented with nuance, right? Well, that tends not to be the case.
Documentary Corner: Life Itself
Assembling the definitive life story of the world’s most famous film critic is certainly not an easy task
Women in sci-fi | A space oddity?
Do like Arrival and Gravity mark a breakthrough of the sci-fi glass ceiling, asks Fred Fyles? Or do they play into the tropes well established in the genre?