La La Land
The highly aticipated modern day musical which draws inspiration from the old classics is as amazing as the hype has made it out to be.
For submissions or queries, email film.felix@imperial.ac.uk
The highly aticipated modern day musical which draws inspiration from the old classics is as amazing as the hype has made it out to be.
A Monster Calls breaks promise leaving audiences disappointed.
Our writers and editors (as well as FilmSoc) choose their favourite films of the last twelve months, from big hitters to those that may have slipped under the radar...
Looking for Love...
Let’s face it, 2016 has been an awful year. To be honest, this section could easily just be ‘The News’. But, the shitiness of reality does not excuse the shitiness of art. So, let’s examine some of the attrocities commited in the name of ‘entertainment’ on the small screen this year.
But, let’s avoid ending on a sour note. Despite everything, 2016 has been a remarkably good year for television. In fact, so much so that narrowing this down to just five was quite the challenge. So, in case you missed them, here are the highest highs of the year’s offerings.
The Crown takes a rare look at the formative years of Queen Elizabeth, and chronicles the royal family’s escapades through the 20th century. Does it stack up well? Or is is just aimless royalty-porn?
The Dardenne brothers tie together multiple plot lines like a beautiful bow on a Christmas present
Chi-Raq marks a return to form for Spike Lee, and its breathless anger is urgently needed in these troubled times.
Despite its flaws, The Grand Tour is an amicable successor to the Top Gear of old
David Lynch’s Blue Velvet, being reissued for the 30th anniversary this month, introduced the world to the themes that would run through the director’s work for the next three decades. A stunning world of glamour and grime, Blue Velvet is a masterpiece.
Moana, the latest offering from Disney, eschews the traditional princess story, in favour of a sunny escape from the miseries of 2016