The new Isakov album is out today... And I haven’t listened to it yet because I’m writing this piece on a Wednesday. But it’s spawned enough singles to be recommended to me on Spotify anyhow as an EP, “Dark, Dark, Dark,” after the lead single on the
It was, as it very often is, a turbulent summer for music. In this, the first edition of the new academic year, our music editors take you through some of their personal highlights (and lowlights) of the past few months’ releases.
The Windows boot sounds are unknown gems of the music world. Brian Eno was a collaborator! 12. Windows 98 Plus! Legitimately awful. I can’t believe the marketing theme thought this was a good idea. If I heard this noise out of my computer, I’d try to put it
Some albums are destined for greatness. I treasure the rest, and hoard them in my squalid flat.
Music Editor Henry Eshbaugh signs off the year with an impassioned plea to participate.
Only a week after the release of Ye, Kanye is back, this time teaming up with Kid Cudi as Kids See Ghosts. While the previous album felt rushed, this newest output is a refined and thoughtful masterpiece.
LA psychedelic-soul artist Kadhja Bonet returns with Childqueen, the follow-up to her breakthrough LP The Visitor, displaying her instrumental skills and syrupy vocals.
The Manic Street Preachers return with more indie rock politics.
Music Writer Ben Man takes a look back at Frank Ocean’s thoughtful, experimental, beautiful Blonde, nearly two years on from its release.
This article started life as a thinkpiece. It then became a listicle, before reverting back to thinkpiece. Whatever form it now takes, it’s my final article of the year so you’d better bloody enjoy it.
The Spacebomb queen returns with a new record label and a new sound.
Age Of is a brilliant development for Oneohtrix Point Never, which sees producer Daniel Lopatin taking on more collaborators, and deconstructing popular music’s toolkit.