Accolade – A 50’s thriller that is as relevant as ever
Clara Nevola reviews Emlyn William's play recounting the life of a Nobel laureate author
Glare - The Future of Opera Looks Bright
Kamil McClelland examines the ROH’s new production
Guerilla Girls: The Male Gaze
Fred Fyles selects a powerful work from W. Eugene Smith
A one-man play tells a multitude of stories
Felix Arts reviews Howie the Rookie
Fred Fyles reviews Far Away at the Young Vic
“There are all sorts of birds here”
Dmitry Krymov: A Midsummer Night’s Dream (As You like It)
Fred Fyles reviews the latest piece at the Barbican Theatre
A Tempting Trio of Modern Dance
Jiaqi Shi reviews the Ceremony of Innocence/The Age of Anxiety/Aeternum at the Royal Opera House, Covent Garden
Blood Swept Lands: Why do we remember war?
Kamil McClelland examines the role of the Tower of London installation
Finding Out What Makes JOHN Tick...
Mario Lapore reviews JOHN, a contemporary dance show
My Art: Tomoko Uemure in Her Bath
Fred Fyles selects a powerful work from W. Eugene Smith
The Ethics of War Photography
Fred Fyles explores the complex morals of photojournalism
Wounded: Is This War’s True Legacy?
Kamil McClelland explores what remains after Iraq and Afghanistan